top of page

Hermann Meier work catalogue

as of 7 June 2017

HMV = Hermann-Meier-Verzeichnis

HMV 1
Piece for two violins (193?) 
Bewegt

 

HMV 2
Piece for violin solo (193?)
Lento

 

HMV 3
Piano piece (1937)
Marcia, Intermezzo, Scherzo

 

HMV 4
Piano piece (1937)
Allegro con fuoco, Andante, Molto Vivace, Adagio, Allegro

​

HMV 5
String trio (194?)

​

HMV 6
Variations and fugue for piano (194?)

​

HMV 7
Sonatina for piano (194?)

 

HMV 8
Prelude for piano (1942)
Passacaglia

 

HMV 9
Piano piece (1945)
Adagio, Allegro non troppo, Allegro molto

 

HMV 10
Piano piece Losone (1945)

​

HMV 11
Trio for flute, clarinet and bassoon (1945 – 46)

 

HMV 12
String quartet No. 1 (1945 – 46)

​

HMV 13
Six piano pieces (1946)
(plus two discarded pieces)

 

HMV 14
Seven songs for voice and piano (1946):

  • “Der Dichter” (“The poet”, Hermann Hesse)

  • “Ich warte” (“I’m waiting”, Margrit Oesch)

  • “Die Sünderin” (“The sinner”, Margrit Oesch)

  • “Pilgerweg” (“Pilgrim’s way”, Klara Messerli)

  • “Es war ja nicht” (“It wasn’t”, Armgard Bresges)

  • “Nachtwachen 1” (“Nocturnal vigil 1”, Stefan George)

  • “Ein Tag genügt manchmal” (“Sometimes one day is enough”, Margrit Oesch)

 

HMV 15
Three pieces for violin and piano(1946)

​

HMV 16
Piano piece (1947)

​

HMV 17
Piano quartet (1947)

​

HMV 18
String quartet No. 2 (1947)

​

HMV 19
Four canons for three strings (1947)

​

HMV 20
Invention for violin solo (1947)
Allegro energico

 

HMV 21
Symphony No. 1 (1947–48)

​

HMV 22
Trio for flute, oboe and clarinet (1948)   

​

HMV 23
Symphony No. 2 (1948–49)

​

HMV 24
Sonata for piano (1948–49)

​

HMV 25
Piece for orchestra No. 1 (1949–50)
Molto Allegro

​

HMV 26
Piece for orchestra No. 2 (1951)
Allegro deciso e risoluto

 

HMV 27
Piano variations for Hermann Gattiker (1951–52)

​

HMV 28
“Blaue Stunde” (“Blue hour”) for voice and piano (1952)
Text by Gottfried Benn

 

HMV 29
Piece for four trombones (1952)

​

HMV 30
Piece for orchestra No. 3 (1952–53)

​

HMV 31
Orchestral music (1953) 
Hommage à Hans Arp

 

HMV 32

Piece for orchestra (1954)

​

HMV 33

Three songs for voice and piano (1946/55):

  • “Ein Tag genügt manchmal” (“Sometimes one day is enough”, Margrit Oesch)

  • “Ich warte” (“I’m waiting”, Margrit Oesch)

  • “Der Stern des Bundes” (“The star of the covenant”, Stefan George)

 

HMV 34
Piece for orchestra No. 4 (1955)
À Mondrian

 

HMV 35
Piece for orchestra No. 5 (1955)

​

HMV 36
Two piano pieces for Lilo Mathys (1955–56)

​

HMV 37
Piano piece (1956)

​

HMV 38
Piece for orchestra No. 6 (1956–57)

​

HMV 39
Piano piece (1957)

​

HMV 40
Piano piece (1957)

​

HMV 41
Piece for orchestra No. 8 (1957)

​

HMV 42
Piece for orchestra No. 9 (1957–58)

​

HMV 43
Piece for orchestra No. 10 (1958)

​

HMV 44
Piece for two pianos (1958)

​

HMV 45
Thirteen pieces for two pianos (1959)

​

HMV 46
Composition for two pianos (1959)
Allegro energico

 

HMV 47
Piece for two pianos (1959)

​

HMV 48
Piece for orchestra (1959–60)

​

HMV 49
Piece for large orchestra (1960)

​

HMV 50
Piece for large orchestra (1960)

HMV 51
Piece for piano duet (1960)

​

HMV 52
Piece for large orchestra, piano duet and percussion (1960–61)

​

HMV 53
Piece for large orchestra (1961)

​

HMV 54
Piece for large orchestra and two pianos (1961–62)

​

HMV 55
Piece for large orchestra and piano duet (1962)

​

HMV 56
Piece for large orchestra (1962–63)

​

HMV 57
Piece for two pianos (each for four hands) and percussion  (1963)

​

HMV 58
Piece for two pianos for Paul Baumgartner (1963)

​

HMV 59
Piece for two pianos (1963)

​

HMV 60
Piece for large orchestra and three pianos (1964)

​

HMV 61
Piece for two pianos or piano duet (1964–65)

​

HMV 62
Piece for large orchestra and piano duet (1965)

​

HMV 63
Piece for two pianos, for Helena Stebler (1965)

​

HMV 64
Piece for two pianos (1965)

​

HMV 65
Piece for strings, wind and two pianos, for Oscar Niemeyer (1966–67)

​

HMV 66
Requiem for orchestra and two pianos (1967)

​

HMV 67
Piece for three pianos (each for four hands) (1967)

​

HMV 68
Piece for string orchestra, two Hammond organs and two pianos (each for four hands) (1967–68)

​

HMV 69
Little elegy for piano, for Gaby Stebler (1968)

​

HMV 70
Piano piece for Charles Dobler (1968)

​

HMV 71
Piece for strings, wind and two pianos, for Werner Heisenberg (1968) 

​

HMV 72
Piece for piano, harpsichord and electric organ (1968–69)

​

HMV 73
Piece for two pianos, two electric organs and two harpsichords (1969)

​

HMV 74
Six pieces for keyboard instruments (1970)
For 1-2 pianos, 1-2 harpsichords and 1-2 organs 

 

HMV 75
Klangflächengefüge oder Wandmusik (“Soundscape structure or wall music”) for Hans Oesch (1970–71)
Piece for two pianos (piano I four hands), two harpsichords and electric organ

​

HMV 76
Piece for two pianos, two electric organs and two harpsichords, each for four hands (1971–72)

​

HMV 77
Piece for two pianos, two harpsichords and two electric organs (1973)

​

HMV 78                

Piece for two pianos, two harpsichords and two electric organs (1973)
subsequently conceived for electronics.

 

HMV 79
Electronic piece (1975)

​

HMV 80
Electronic piece (1975)

​

HMV 81
19 3/5-minute piece for electronics (1976)

​

HMV 82
Electronic piece (1976)

​

HMV 83
Klangschichten (“Soundscapes”) (1976) 
Electronic piece

 

HMV 84
Second electronic piece (1977)

​

HMV 85
Fast ein Wiegenlied (“Almost a lullaby”) (1977)
Electronic piece

 

HMV 86
Electronic piece (1977)

​

HMV 87
Hommage à Judd (1978)
Electronic piece

 

HMV 88
Flächen-Konstellationen (“Surface constellations”) (1978)
Electronic piece

 

HMV 89
Electronic piece (1979)

​

HMV 90
Flecken (“Spots”) (1980)
Electronic piece

 

HMV 91
Electronic piece (1981)

​

HMV 92
Konstellationen for Klangplatten (“Constellations for sound plates”) (1982)
Electronic piece

 

HMV 93
22 ¾-minute piece for electronics (1982–83)

​

HMV 94
Piece for two pianos (1983–84)

​

HMV 95
Piece for three pianos (1984)

​

HMV 96
Electronic study for three pianos (1984)

​

HMV 97
Electronic work II (1986)

​

HMV 98
Electronic piece (1987)

​

HMV 99
Piano piece for Urs Peter Schneider (1987)

​

HMV 100
Grosse Wand ohne Bilder (“Large wall without pictures”), for piano, harpsichord and electric organ (each for four hands) (1988–89)

​

HMV 101
Quintet for piccolo, oboe, horn, bass clarinet and contrabassoon (1989)


As of 7 June 2017. Subject to change without notice.

Some of these Works are available on CD and as manuscripts

©2018 All rights reserved Hermannmeier.com

Web design: Nohemi and Dominik Meier  E-mail: dommeier85@gmail.com

  • Hermann Meier Google+ profile
bottom of page